University of Hawaii Textbooks/Course Materials
University of Hawaii at Manoa Fall 2024 Class Availability
Back to list of subjects Click on the CRN for additional class information.
All students registered for ART classes must attend the first class meeting. Failure to do so without prior consent of the instructor may result in the assignment of your space to another student & require you to drop the class to avoid a grade of "F."
GenEd/Focus/ Special Des. |
CRN | Course | Section | Title | Credits | Instructor | Curr. Enrolled |
Seats avail. |
Days | Time | Room | Dates |
---|---|---|---|---|---|---|---|---|---|---|---|---|
DA | 76740 | ART 107B | 001 | Intro Photography: BW Darkroom | 3 | Y Monakhov Stockton | 17 | 1 | MW | 0930- |
ART 331 | 08/26-12/20 |
DA | 78154 | ART 107B | 002 | Intro Photography: BW Darkroom | 3 | K Ciurej | 17 | 1 | TR | 0900- |
ART 331 | 08/26-12/20 |
DA | 79238 | ART 107B | 003 | Intro Photography: BW Darkroom | 3 | A J Collins | 18 | 0 | TR | 1200- |
ART 331 | 08/26-12/20 |
DA | 76836 | ART 107D | 001 | Intro to Photography: Digital | 3 | A L Puampai | 18 | 0 | TR | 0300- |
ART 308 | 08/26-12/20 |
DA | 79892 | ART 107D | 002 | Intro to Photography: Digital | 3 | A L Puampai | 18 | 0 | TR | 1200- |
ART 308 | 08/26-12/20 |
DA | 70054 | ART 113 | 001 | Introduction to Drawing | 3 | E R Sullivan | 17 | 1 | TR | 0900- |
ART 366 | 08/26-12/20 |
DA | 71469 | ART 113 | 002 | Introduction to Drawing | 3 | E C McIlroy | 14 | 4 | TR | 1200- |
ART 366 | 08/26-12/20 |
DA | 72399 | ART 113 | 003 | Introduction to Drawing | 3 | K Largusa | 19 | 0 | TR | 0300- |
ART 366 | 08/26-12/20 |
DA | 72443 | ART 113 | 004 | Introduction to Drawing | 3 | K J Gruspe | 15 | 3 | WF | 0930- |
ART 366 | 08/26-12/20 |
DA | 73619 | ART 113 | 005 | Introduction to Drawing | 3 | K Fong | 18 | 0 | MW | 1230- |
ART 366 | 08/26-12/20 |
DA | 76460 | ART 113 | 006 | Introduction to Drawing | 3 | K Fong | 18 | 0 | MW | 0330- |
ART 366 | 08/26-12/20 |
DA | 79896 | ART 113 | 007 | Introduction to Drawing | 3 | K J Gruspe | 19 | 0 | WF | 0330- |
ART 323 | 08/26-12/20 |
DA | 79919 | ART 113 | 008 | Introduction to Drawing | 3 | K J Gruspe | 18 | 0 | TR | 0300- |
ART 323 | 08/26-12/20 |
DA | 79995 | ART 113 | 009 | Introduction to Drawing | 3 | E R Sullivan | 18 | 0 | TR | 0600- |
ART 366 | 08/26-12/20 |
DA | 73556 | ART 116 | 001 | Intro to 3-D Composition | 3 | M K Chun | 16 | 0 | MW | 1230- |
ART 121 | 08/26-12/20 |
DA | 72230 | ART 116 | 002 | Intro to 3-D Composition | 3 | J A Pinto Ferreira | 16 | 0 | TR | 1200- |
ART 121 | 08/26-12/20 |
DA | 77720 | ART 116 | 003 | Intro to 3-D Composition | 3 | J A Soliven | 15 | 1 | TR | 0300- |
ART 121 | 08/26-12/20 |
DA | 79880 | ART 116 | 004 | Intro to 3-D Composition | 3 | J A Soliven | 12 | 4 | MW | 0930- |
ART 121 | 08/26-12/20 |
DA | 79920 | ART 116 | 005 | Intro to 3-D Composition | 3 | J A Macy | 10 | 6 | MW | 0330- |
ART 121 | 08/26-12/20 |
DA | 80034 | ART 116 | 006 | Intro to 3-D Composition | 3 | J A Pinto Ferreira | 15 | 1 | TR | 0900- |
ART 121 | 08/26-12/20 |
DA | 71526 | ART 130 | 001 | Introduction to Glass | 3 | R L Mills | 15 | 3 | MWF | 0830- |
ART 117 | 08/26-12/20 |
DA | 78045 | ART 130 | 002 | Introduction to Glass | 3 | S A Koehler | 14 | 4 | MWF | 1230- |
ART 117 | 08/26-12/20 |
FGA,IDAP | 75348 | ART 175 | 001 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
F | 0930- |
ART 214 | 08/26-12/20 | |||||||||
FGA,IDAP | 75349 | ART 175 | 002 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
F | 1230- |
SAKAM A103 | 08/26-12/20 | |||||||||
FGA,IDAP | 75350 | ART 175 | 003 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
F | 1130- |
SAKAM A103 | 08/26-12/20 | |||||||||
FGA,IDAP | 75351 | ART 175 | 004 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
R | 0930- |
SAKAM B103 | 08/26-12/20 | |||||||||
FGA,IDAP | 75352 | ART 175 | 005 | Survey of Global Art I | 3 | K A Lingley | 19 | 1 | MW | 1030- |
ART 132 | 08/26-12/20 |
W | 1130- |
ART 214 | 08/26-12/20 | |||||||||
FGA,IDAP | 75353 | ART 175 | 006 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
R | 1200- |
SAKAM B103 | 08/26-12/20 | |||||||||
FGA,IDAP | 75354 | ART 175 | 007 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
W | 1130- |
SAKAM A103 | 08/26-12/20 | |||||||||
FGA,IDAP | 75355 | ART 175 | 008 | Survey of Global Art I | 3 | K A Lingley | 19 | 1 | MW | 1030- |
ART 132 | 08/26-12/20 |
R | 1030- |
SAKAM B103 | 08/26-12/20 | |||||||||
FGA,IDAP | 75356 | ART 175 | 009 | Survey of Global Art I | 3 | K A Lingley | 20 | 0 | MW | 1030- |
ART 132 | 08/26-12/20 |
W | 1230- |
SAKAM A103 | 08/26-12/20 | |||||||||
FGA,IDAP | 79997 | ART 175 | 010 | Survey of Global Art I | 3 | H H McMahon | 30 | 0 | TR | 0130- |
KUY 305 | 08/26-12/20 |
DA,NI | 73145 | ART 202 | 001 | Intro to Digital Imaging | 3 | S D Groeniger | 17 | 1 | MW | 1230- |
ART 335 | 08/26-12/20 |
DA,NI | 79294 | ART 207 | 001 | Intermed Photo (BW Darkroom) | 3 | Y Monakhov Stockton | 10 | 8 | MW | 1230- |
ART 331 | 08/26-12/20 |
DA,NI | 70055 | ART 213 | 001 | Intermediate Drawing | 3 | C T Anderson | 19 | 0 | TR | 0900- |
ART 323 | 08/26-12/20 |
DA,NI | 71269 | ART 214 | 001 | Introduction to Life Drawing | 3 | C T Anderson | 19 | 0 | TR | 1200- |
ART 323 | 08/26-12/20 |
DA,NI | 72622 | ART 217 | 001 | Screenprinting | 3 | C Cohan | 20 | 0 | TR | 0300- |
ART 373 | 08/26-12/20 |
DA,NI | 73374 | ART 223 | 001 | Approaches to Painting | 3 | W A Kawabata | 16 | 2 | MW | 0330- |
ART 314 | 08/26-12/20 |
DA,NI | 79295 | ART 230 | 001 | Glass Castng:Sand & Metal Mold | 3 | R L Mills | 15 | 3 | TR | 1200- |
ART 117 | 08/26-12/20 |
DA | 71447 | ART 242 | 001 | Introduction to Ceramics | 3 | S S Spangler | 20 | 0 | MW | 1230- |
ART 110 | 08/26-12/20 |
DA | 71448 | ART 242 | 002 | Introduction to Ceramics | 3 | S S Spangler | 20 | 0 | TR | 0300- |
ART 110 | 08/26-12/20 |
DA | 71449 | ART 242 | 003 | Introduction to Ceramics | 3 | S T Wong | 19 | 1 | TR | 1200- |
ART 110 | 08/26-12/20 |
DA | 79879 | ART 242 | 004 | Introduction to Ceramics | 3 | M K Chun | 20 | 0 | MW | 0930- |
ART 110 | 08/26-12/20 |
DA | 79921 | ART 242 | 005 | Introduction to Ceramics | 3 | J A Macy | 20 | 0 | TR | 0900- |
ART 110 | 08/26-12/20 |
DA,NI | 70056 | ART 265 | 001 | Design: Studio I | 3 | P L Feducia | 17 | 1 | M | 0300- |
ART 341 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
NI | 70057 | ART 265L | 001 | Design: Studio I Lab | 1 | J M Kanoa | 17 | 1 | F | 0830- |
ART 336 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
DA,NI | 70058 | ART 266 | 001 | Design: Typography I | 3 | P L Feducia | 17 | 1 | M | 1200- |
ART 341 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
DH,WI | 79296 | ART 302 | 001 | Intro to Contemp Crit Theory | 3 | L Tonga | 19 | 0 | MW | 0900- |
ART 214 | 08/26-12/20 |
DA | 79712 | ART 304 | 001 | Digital Image: Pro Print | 3 | S D Groeniger | 18 | 0 | TR | 1200- |
ART 335 | 08/26-12/20 |
DA | 72584 | ART 313 | 001 | Advanced Drawing | 3 | K R Simonsen | 17 | 1 | MW | 1230- |
ART 323 | 08/26-12/20 |
DA | 74316 | ART 314 | 001 | Intermediate Life Drawing | 3 | K Fong | 17 | 1 | MW | 0930- |
ART 323 | 08/26-12/20 |
DA | 77665 | ART 318 | 001 | Intermediate Printmaking | 3 | C Cohan | 21 | 0 | MW | 0330- |
ART 330 | 08/26-12/20 |
DA | 73957 | ART 323 | 001 | Advanced Painting I | 3 | D Drexler | 16 | 2 | TR | 1200- |
ART 320 | 08/26-12/20 |
DA | 79670 | ART 344 | 001 | Ceramics-Vessels | 3 | S S Spangler | 18 | 2 | MW | 0330- |
ART 110 | 08/26-12/20 |
DA | 79300 | ART 345 | 001 | Ceramics-Low Temperature | 3 | B E Taylor | 19 | 1 | TR | 0900- |
ART 112 | 08/26-12/20 |
DA | 77666 | ART 356 | 001 | Sculpture-Metal Fabrication | 3 | R L Mills | 13 | 2 | MW | 1230- |
ART 119 | 08/26-12/20 |
DA | 72782 | ART 357 | 001 | Sculpture-Small Scale | 3 | J A Soliven | 14 | 2 | TR | 0900- |
ART 213 | 08/26-12/20 |
DH | 77667 | ART 380 | 001 | Early Art of Japan | 3 | J D Szostak | 34 | 1 | TR | 0900- |
ART 101 | 08/26-12/20 |
DH | 77668 | ART 385 | 001 | Art & Culture of Early China | 3 | K A Lingley | 20 | 15 | TR | 0130- |
ART 101 | 08/26-12/20 |
DH,WI | 79303 | ART 395 | 001 | Art-Historical Methodology | 3 | K A Lingley | 15 | 3 | TR | 1030- |
ART 214 | 08/26-12/20 |
OC | 76400 | ART 400C | 001 | Special Topics: Art History (Life of the Buddha) |
3 | P A Lavy | 17 | 3 | MW | 0900- |
ART 101 | 08/26-12/20 |
79305 | ART 400C | 002 | Special Topics: Art History (Contemporary Pacific Art) |
3 | L Tonga | 9 | 11 | MW | 0300- |
ART 101 | 08/26-12/20 | |
72885 | ART 409 | 001 | Grad Portfolio (BA) Restriction: Instructor Approval |
0 | W A Kawabata | 19 | 31 | TBA | TBA | TBA TBA | 08/26-12/20 | |
DA,WI | 79304 | ART 436 | 001 | Use, Re-use, Radical Re-use | 3 | C T Anderson | 11 | 1 | TR | 0300- |
ART 306 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
DA,OC,WI | 77669 | ART 439 | 001 | Install/Perform-Materi Context | 3 | J A Macy | 13 | 2 | TR | 1200- |
ART 306 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
DA | 70059 | ART 465 | 001 | Design: Studio III Restriction: Instructor Approval |
3 | C Lee | 10 | 8 | R | 1230- |
ART 360 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
75450 | ART 465L | 001 | Design: Studio III Lab Restriction: Instructor Approval |
1 | J M Kanoa | 10 | 8 | F | 1030- |
ART 336 | 08/26-12/20 | |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
DA | 70060 | ART 466 | 001 | Design: Typography III Restriction: Instructor Approval |
3 | C Lee | 10 | 8 | R | 0930- |
ART 360 | 08/26-12/20 |
TBA | TBA | ONLINE SYNC | 08/26-12/20 | |||||||||
DH | 79309 | ART 473 | 001 | Art of 1st Half 20th Century | 3 | H H McMahon | 33 | 2 | MW | 1030- |
ART 101 | 08/26-12/20 |
DH | 79310 | ART 474C | 001 | Art Since 1945: Since 2000 (Global Contemporary Art Since 2000) |
3 | J E Hamilton Faris | 32 | 3 | TR | 1030- |
ART 101 | 08/26-12/20 |
DH | 79313 | ART 475C | 001 | Pac Art: Polynesia/Micronesia | 3 | L Tonga | 23 | 12 | MW | 1200- |
ART 101 | 08/26-12/20 |
DH | 79325 | ART 483 | 001 | Applied Art of Japan | 3 | J D Szostak | 18 | 17 | TR | 1200- |
ART 101 | 08/26-12/20 |
DH,WI | 79327 | ART 490B | 001 | Topics SE Asian AH: Angkor (Angkor/Khmer) |
3 | P A Lavy | 15 | 5 | MW | 0130- |
ART 101 | 08/26-12/20 |
72134 | ART 611 | 001 | Graduate Studio Seminar in Art Restriction: Instructor Approval |
6 | S D Groeniger | 8 | 10 | R | 0300- |
ART 363 | 08/26-12/20 | |
77673 | ART 620 | 001 | Methods in Contemporary Art | 3 | J A Pinto Ferreira | 4 | 14 | T | 0300- |
ART 363 | 08/26-12/20 | |
74779 | ART 670 | 001 | Art Historical Methodology (Graduate) |
3 | J E Hamilton Faris | 5 | 7 | W | 0330- |
ART 214 | 08/26-12/20 | |
79334 | ART 791 | 001 | Sem in S/SE Asian Art History (Modern/Contemporary SE Asian Art) Restriction: Instructor Approval |
3 | P A Lavy | 5 | 0 | R | 0130- |
ART 137 | 08/26-12/20 |
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Focus Requirements: | |
---|---|
ETH | = Contemporary Ethical Issues |
HAP | = Hawaiian, Asian, and Pacific Issues |
OC | = Oral Communication |
WI | = Writing Intensive |
NOTE: Courses numbered 600 and above are restricted to classified graduate students only. All unclassified students must obtain approval from the department to register.
Special Designation: | |||||||
---|---|---|---|---|---|---|---|
FONL | = Fully Online | C19 | = Online due to COVID-19 | OI | = Off Island | IDAP | = eBook Access | EC | = Early College | H19 | = Hybrid due to COVID-19 | OS | = Off-Site | TXT0 | = Textbook Cost $0 |
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